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T
rack listing:
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1.
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Take
the 5th |
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2.
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One
More Night
with You |
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3.
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Wolfgang's Big
Night Out |
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4.
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Honey
Man |
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5.
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Yes
We Can Can |
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6.
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Swingin'
Willie |
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7.
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Sabre
Dance |
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8.
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For
Lisa |
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9.
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Here
Comes
the Broad |
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10.
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1812
Overdrive |
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11.
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Some
River in Europe |
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12.
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Take
a Break Guys |
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Label:
Surfdog Records
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Release
Date:
September 25, 2007
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Welcome
to the new classical music. That's right, I said classical music.
I know what you're thinking . . . classical music on this website???
But this isn't your father's classical. This classical isn't even
classical, well not by industry standards. This is Brian Setzer's
newest tangent to his already illustrious career. It's "Wolfgang's
Big Night Out" and let me tell you, this classical SWINGS.
Twelve songs and melodies that you have known your whole life reworked,
spiced up and rocked out as only Brian Setzer could.
Opening
with "Take the 5th" a jumpin' version of Beethoven's "5th
Symphony," it's made abundantly clear that the music of the
1700's and 1800's is being dragged kicking, screaming and swinging
into the twenty-first century. Done with complete respect to the
original, it's easily recognizable and yet completely new to our
ears. Next up is "One More Night With You," one of the
only vocal tracks on the CD and an excellent take on Grieg's "Hall
of the Mountain King." With a guitar twang that grabs you and
makes your feet move, this song stands out as one of the best on
the CD. The title track "Wolfgang's Big Night Out," a
homage to Mozart and his "Eine Kleine Nachtmusik," is
full of multi-layered horns and guitar that takes this classical
masterpiece to a whole other realm. It's a sweet little number made
only sweeter by the next track "Honey Man." This is the
second and last of the vocal tracks and it's a wild ripped-up version
of "Flight of the Bumblebee." Sustained by a wicked guitar
riff that will bring back memories of the "Green Hornet,"
this song jams fast and furious.
Swinging
into a new direction, Brian takes on Offenbach's "The Can Can"
with his own version entitled "Yes We Can Can." With a
sweet horn sound and a smooth bass backbone, this number will stand
out at his concerts (I am just praying the band members aren't in
little can-can dresses - that would be scary). He even throws in
a taste of purple as the song come to its conclusion. With a hearty
"Hi Ho Silver" we're off and running with "Swingin'
Willie," a sweetly reworked version of "The William Tell
Overture." Done with style and finesse, this classic runs a
slightly mellower course than the previous tracks but still manages
to add its own flavor to the mix. From mellow to frantic we venture
into "Saber Dance" with a rockabilly twang that leaves
no doubt about its creator. Brian rips up this classical music staple
and delivers a performance that would impress even his most stringent
critic. Then without missing a beat he shifts gears into low and
takes on "Fur Elise" now entitled "For Lisa"
and shows off a slightly softer side with a beautifully orchestrated
combination of classical guitar, violin and horns along with his
trademark twanging Gretsch. This is definitely one of the better
songs on the CD.
Many
of us have friends who have gotten married and we may have even
known the bride when she used to rock and roll. But did you know
that bride when she used to swing? With Wagner's "Lohengrin"
and Mendelssohn's "A Mid Summer Night's Dream" all rolled
into one we get Brian's "Here Comes The Broad," a truly
swingin' way to start any wedding off with a bang. Then once again
Brian shifts gears and takes us into overdrive, the "1812 Overdrive"
to be precise. This take on the classic "1812 Overture"
stays true to the original score while still having a swing flare
that fans of Brian and his Orchestra will love. Now as we come to
the last two songs of the CD there is no need to feel blue - "Blue
Danube" that is, so just sit back and enjoy "Some River
In Europe," a wonderfully arranged take on this song that most
everyone over the age of 25 knows and loves. Lastly, Brian takes
a cue from the massive success of his two fabulous Christmas CDs
and ends with a holiday flourish and tells the band to "Take
A Break Guys" as he and his guitar jam their way through a
boogied up, rocked out version of "God Rest Ye Merry Gentleman."
There
has never been anything like this in all the years I have been listening
to music, and I will venture to say there probably never will be
again. Brian Setzer is one of the most unique and supremely talented
musicians I have ever heard. Coupled with his prowess and Frank
Comstock's fabulous charts, this album is a one of a kind. Whether
you're a fan from the 80's, 90's or present, it's easy to see why
even Gibson Guitars has bestowed awards on this pompadoured guitar
slinger (and considering he has his own line of Gretsch guitars
is an honor in itself). His music is unorthodox, irreverent and
loud, but most of all it's fun. So, for a not-so-classic take on
classical music while staying true to his roots, I have to give
this CD a B+ (and it only missed the A because I wanted more songs).
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